In our 2005 monograph Kengo Kuma: Selected Works, celebrated architect Kengo Kuma boldly declared that his ultimate aim was to "erase architecture" so that his buildings became one with their surroundings. In recent years he has pursued this goal by focusing primarily on imaginative and unexpected use of materials, creating hypnotizing surfaces that evoke subtle visual sensatio...(展开全部)

In our 2005 monograph Kengo Kuma: Selected Works, celebrated architect Kengo Kuma boldly declared that his ultimate aim was to "erase architecture" so that his buildings became one with their surroundings. In recent years he has pursued this goal by focusing primarily on imaginative and unexpected use of materials, creating hypnotizing surfaces that evoke subtle visual sensatio...(展开全部)

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the countries traditional building crafts with sophisticated technologies and materials. Associating a deep understanding and respect for native construction techniques with a more globalized outlook than many of his compatriots, Kengo Kumas work represents a si...(展开全部)

Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan’s national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. It was around Kengo Kuma’s tenth birthday that he came into contact with Kenzo Tan...(展开全部)

Evanescent. Restrained. Ethereal. These are some of the words used to describe the architecture of Kengo Kuma, one of the most heralded of a new generation of Japanese architects. A recent article in Architecture writes of Kuma that "he strives to give his buildings the qualities of a rainbow, composed of shimmering particles, more illusion than object, that change as you loo...(展开全部)

Images can be studied in many ways--as symbols, displays of artistic genius, adjuncts to texts, or naturally occurring phenomena like reflections and dreams. Each of these approaches is justified by the nature of the image in question as well as the way viewers engage with it. But images are often something more when they perform in ways that exhibit a capacity to act independe...(展开全部)

The first truly global history of work, an upbeat assessment from the age of the hunter-gatherer to the present day We work because we have to, but also because we like it: from hunting-gathering over 700,000 years ago to the present era of zoom meetings, humans have always worked to make the world around them serve their needs. Jan Lucassen provides an inclusive history of hum...(展开全部)

The first truly global history of work, an upbeat assessment from the age of the hunter-gatherer to the present day “Beginning in the hunting-and-gathering past, this long view of work shows how little has changed over millennia. Progressing through the rise of cities, wages and markets for labour, it traces a perennial cycle of injustice and resistance—and the age-old desire ...(展开全部)

The first truly global history of work, an upbeat assessment from the age of the hunter-gatherer to the present day We work because we have to, but also because we like it: from hunting-gathering over 700,000 years ago to the present era of zoom meetings, humans have always worked to make the world around them serve their needs. Jan Lucassen provides an inclusive history of hum...(展开全部)

威廉•朱利叶斯•威尔逊（William Julius Wilson），美国著名社会学家，生于1935年，1966年获得华盛顿州立大学博士学位，1972年至1996年在芝加哥大学任教，后转入哈佛大学，于约翰•F•肯尼迪政府学院任教授，主要研究领域为民权、种族、贫困问题以及社会与城市政策。曾经担任美国社会学协会主席，获得过四十多个荣誉学位，包括耶鲁大学、普林斯顿大学、哥伦比亚大学等校的荣誉博士学位。他也是美国国家科学院院士。1996年，他被《时代》杂志评为美国最有影响力的二十五人之一。1998年获得了美国科学界的最高荣誉“国家科学勋章”。